R.I.P. João Gilberto

 

739227090Master Of Bossa Nova Dies At 88:

’João Gilberto is credited some with writing the first bossa nova, or new beat. This mid–20th century musical gift to the world drew on Brazil’s African-influenced samba tradition, but was performed without the usual battery of drums and rhythm instruments, and at much lower volumes. Gilberto’s intimate and nuanced style of guitar playing and singing, eventually central to the bossa nova sound, were reportedly developed in 1955 when he sequestered himself inside of a bathroom at his sister’s house so as not to disturb her family and to take advantage of the acoustics provided by the bathroom tiles.…’

Via WBGO

 

Christchurch mosque killer’s theories seeping into mainstream, report warns

‘Researchers have found that organised far-right networks are pushing a conspiracy known as the “great replacement” theory to the extent that references to it online have doubled in four years, with more than 1.5 million on Twitter alone, a total that is rising exponentially.

The theory emerged in France in 2014 and has become a dominant concept of the extreme right, focusing on a paranoia that white people are being wiped out through migration and violence. It received increased scrutiny after featuring in the manifesto of the gunman who killed 51 people in the Christchurch attacks in New Zealand in March.

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Now the Institute for Strategic Dialogue (ISD), a UK-based counter-extremist organisation, has found that the once-obscure ideology has moved into mainstream politics and is now referenced by figures including US president Donald Trump, Italian interior minister Matteo Salvini and Björn Höcke of the German Alternative für Deutschland (AfD).

Tweets from Trump earlier this year, for example, were interpreted by many as making a white nationalist case for his controversial border wall.

Despite its French origins, the ISD’s analysis has revealed that the theory is becoming more prevalent internationally, with English-speaking countries now accounting for 33% of online discussion.

Julia Ebner, co-author of the report at ISD, said: “It’s shocking to see the extent to which extreme-right concepts such as the ‘great replacement’ theory and calls for ‘remigration’ have entered mainstream political discourse and are now referenced by politicians who head states and sit in parliaments.”

She said that of the 10 most influential Twitter accounts propagating the ideology, eight were French. The other two were Trump’s account and the extreme-right site Defend Europa…’

— Read on The Guardian

What does it mean to call a book ‘unfilmable’?

1082Books by authors like Neil Gaiman and Gabriel García Márquez have been dismissed as too difficult to adapt. With Netflix offering both time and cash, is that true anymore?:

’It’s remarkable how many “unfilmable” books have been, well, filmed. With this week’s news that Neil Gaiman’s sprawling comic-book series The Sandman has been acquired by Netflix, fans have been excited, if tentative, no doubt remembering the long history of attempts to adapt the 75-issue story that was often dismissed as too difficult to get on screen.

As Gaiman once said: “I’d rather see no Sandman movie made than a bad Sandman movie.” Multiple scripts were written throughout the 1990s, there was a TV show in 2010, a film in 2013, an attempted rewrite of that film in 2016 – but none of this means that Netflix’s latest literary project is doomed to fail.

For “unfilmable” is often just code for “we tried and it didn’t happen”, an excuse for all the films trapped in development hell, such as John Milton’s Paradise Lost (Bradley Cooper was once lined up to play a hunky Lucifer), and the long-awaited adaptation of Cormac McCarthy’s Blood Meridian. “Unfilmable” can also mean “we tried and did a terrible job”. Stephen King’s Dark Tower series is not unfilmable, but the 2017 take starring Idris Elba and Matthew McConaughey might make you wish it was. Or the maddening works of William Faulkner, most recently put on screen by actor James Franco, who took time off from insisting he can write novels to ruin someone else’s by directing, adapting and starring in As I Lay Dying in 2013 and The Sound and the Fury in 2015. Or Ayn Rand’s Atlas Shrugged: three films and three terrible decisions came in 2016 when reviews for part one (“sits there flapping on screen like a bludgeoned seal” declared Rolling Stone) did nothing to dissuade the great minds behind it, who turned their backs on the free-market to supply two sequels in the face of no demand. (Part two: “The film’s excruciating unwatchability transcends politics”; part three: “Cut-rate to the point of incoherence.”) And unfilmable can even apply to books that prove to be brilliant on camera: the new TV show of Joseph Heller’s Catch–22, the Wachowski sisters’ take on David Mitchell’s Cloud Atlas, Paul Thomas Anderson’s 2015 film of Thomas Pynchon’s Inherent Vice.…’

Via The Guardian