Hollywood movies follow a mathematical formula

Fat Fourier Transform

Hollywood movies have found a mathematical formula that lets them match the effects of their shots to the attention spans of their audiences.

Psychologist Professor James Cutting and his team from Cornell University in Ithaca, New York, analyzed 150 high-grossing Hollywood films released from 1935 to 2005 and discovered the shot lengths in the more recent movies followed the same mathematical pattern that describes the human attention span. The pattern was derived by scientists at the University of Texas in Austin in the 1990s who studied the attention spans of subjects performing hundreds of trials. The team then converted the measurements of their attention spans into wave forms using a mathematical technique known as the Fourier transform.

They found that the magnitude of the waves increased as their frequency decreased, a pattern known as pink noise, or 1/f fluctuation, which means that attention spans of the same lengths recurred at regular intervals. The same pattern has been found by Benoit Mandelbrot (the chaos theorist) in the annual flood levels of the Nile, and has been seen by others in air turbulence, and also in music.’ Hollywood movies follow a mathematical formula.’ (phys.org via kottke)

Martin Scorsese’s 11 Scariest Horror Movies of All Time

Cover of "The Exorcist (The Version You'v...

Tina Brown asked her friend Martin Scorsese to give her a list and he made it a labor of love…with video clips. I can imagine him chuckling at the thought of how much sleep Tina will lose if she actually watches these. Although there are several pretty predictable entries (The Exorcist, The Shining, Psycho) most are obscure and often forgotten. Modern lists of ‘horror‘ films tend toward blood and gore; Scorsese is going for the truly eerie, as he says often embodied in what is not shown. As it turns out, I have seen all of these and am feeling proud and abit superior to be the same sort of horror aficionado he is. Most of the commenters to his Daily Beast post really put their feet in their mouths, suggesting additions to the list which are trite and embarrassing, although I’m glad someone thought of Funny Games. (The Daily Beast)

Are Stupid Teenagers Ruining American Films?

“The two best movies I've seen this summer, District 9 (which I reviewed for Reason here) and The Hurt Locker are both smart, inventive, relatively low budget action films. Both are clearly products of directors with strong, clear, and unusual visions that somehow snuck through the Hollywood production pipeline largely intact. That this is a rarity in American studio filmmaking and even more so in summer action films hardly needs to be said. And as a sometime-critic, regular moviegoer, and devotee of summer movies, both small and large, I rather obviously wish that this weren't true.

Yet I can't agree with Roger Ebert's contention that, essentially, dumb Americans—and in particular, dumb teenagers—are ruining the U.S. film industry. His evidence basically boils down to the box office scores for three films—Transformers 2 and G.I. Joe, which critics hated but made big bucks, and The Hurt Locker, which critics loved but has been comparatively little seen.

Granted, he also complains about the dearth of good satire, the general lack of interest in old media, and the perception of movie critics as an out-of-touch elite (which he agrees they are, but doesn't think that's a bad thing). But all in all, it's pretty thin stuff.

Take, for example, his primary gripe, the relative box office failure of The Hurt Locker: Critically beloved films fall through the cracks all the time, and it's not as if audiences are going out of their way to irritate the nation's critics…” — Peter Suderman

via The Atlantic — Andrew Sullivan’s ‘The Daily Dish’ .

I have to agree with him about the two best films of the summer…

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Pet Villains Strike Again In ‘Angels & Demons’

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‘The Illuminati? Langdon describes them as “a secret society dedicated to scientific truth; the Catholic Church ordered a brutal massacre to silence them forever. They've come for their revenge.”

Maybe in books and movies. But while the real Illuminati were indeed a secretive order, they were in no way violent, says University of Oregon historian Ian McNeely.’ (NPR).

Exploring the Universe, One B-Movie at a Time

Star Trek Boardgame

“Re-imagining their origins in a prequel, rather than depicting their further adventures in another sequel, is a cheeky act of cultural retro-activism, and perfectly in keeping with the ’60s show. “Star Trek” was, from the start, more nostalgic than futuristic.” (NYTimes op-ed).

Related:

Could box office bonanza dry up?

Daily Variety's logo

“…[Studio] output has hit a serious speed bump, thanks to a number of factors: The economic crash and retreat of private equity money, a protracted writers walkout, a production slowdown over fear of an actors strike and the dismantling of studio specialty labels.” via Variety.

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The Making of The Shining

Jack Nicholson in The Shining

Stanley Kubrick allowed his then-17-year-old daughter, Vivian, to make a documentary about the production of The Shining. Created originally for the British television show BBC Arena, the documentary offers rare insight into the shooting process of a Kubrick film. A version of this film with Vivian Kubrick’s commentary can be viewed here: The Making of The Shining (by Vivian Kubrick) [via wood s lot].

Where the Wild Things Are on the Screen

Where the Wild Things Are

“Spike Jonze is about to make the movie of a lifetime in my opinion. The music/movie director will be releasing my (maybe everyone’s) favorite childhood book Where the Wild Things Are onto the big screen. Just look at these shots, they’re golden, and I just want to see more. Rumors around the web say that there will be no effects just large puppets, I think as a fan I couldn’t of asked for more.”

via ISO50 Blog.

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‘Earth’ , Calling Space…

The Day the Earth Stood Still (2008 film)

“Twentieth Century Fox’s remake of sci-fi classic The Day the Earth Stood Still will be the widest release ever –if you count outer space.

At the same time that the film opens today in theaters, Fox and a privately owned celestial communications network will use equipment at Cape Canaveral, Fla., to begin beaming “The Day the Earth Stood Still” to Alpha Centauri, the nearest star system to Earth. The galactic stunt is a first-ever for a Hollywood studio.”

via Variety.

Into A Shadowy World

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“The director Robinson Devor apparently would like viewers who watch his heavily reconstructed documentary, Zoo, to see it as a story of ineluctable desire and human dignity. Shot on Super 16-millimeter film, with many scenes steeped in a blue that would have made Yves Klein envious, Zoo is, to a large extent, about the rhetorical uses of beauty and metaphor and of certain filmmaking techniques like slow-motion photography. It is, rather more coyly, also about a man who died from a perforated colon after he arranged to have sex with a stallion.” (New York Times )
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