Kronos Quartet spreads the word for contemporary music to a new generation of performers

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‘Throughout its nearly 50-year career, the Kronos Quartet has been known for a dual commitment, both to contemporary music and to helping train young musical ensembles. But for a long time, there was a practical tension between those two goals.

“The quartet does a lot of teaching and coaching when they’re on tour and at home,” said Janet Cowperthwaite, the ensemble’s longtime executive director. “We’d be setting up these sessions, and we’d ask if the young group had something contemporary they could work on together. And they’d go, ‘well … ’ ”

What was needed, clearly, was a body of new music for budding string quartets to train on — scores as readily available as the old standbys by Haydn and Dvorák, but responsive to the needs of a 21st century ensemble.

That’s where “50 for the Future” came in….’ (Datebook)

MDMA dose alters white supremacist’s radical beliefs

 

P0fv2syd‘Two years ago, Brendan, an ex-leader of a white nationalist group, experienced a significant shift in his radical views after participating in a University of Chicago study involving MDMA (also known as ecstasy or molly). Harriet de Wit, a professor of psychiatry and behavioral science at the university, conducted the experiment to explore MDMA’s role in enhancing the enjoyment of social touch. She was unaware that a white supremacist had participated in her study until after it concluded.

Previously, Brendan had been a member of a notorious Midwest white nationalist group. Before the study, he lost his job when his affiliation was exposed by a Chicago-based antifascist group. Even his siblings and friends who weren’t involved in white nationalism distanced themselves from him. However, an intensely personal experience during the study prompted Brendan to rethink his supremacist beliefs, leading him to stress the value of love and connection….’ (Boing Boing)

Opinion: What one piece of culture best captures the country?

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The New York Times asked 17 columnists to choose a piece of culture that best captures America. One columnist chose the 1956 horror movie “Invasion of the Body Snatchers” as a metaphor for America’s toxic transformation, where many have fallen prey to ideas, slogans, conspiracy theories, lies and emotions, leading to a collapse of individuality that goes against the very trait the country was founded on. The fear of invasion in the movie is a recurring theme in American life, with Covid and social media being cited as modern-day invaders threatening to subsume people’s identities. (Maureen Dowd in The New York Times)

(Far better than the remakes, except for Jerry Garcia having a cameo in the 1978 version.)