Ms. Roche (left) developed a pop-folk songwriting style that could be droll or diaristic, full of unexpected melodic turns and often inseparable from the way the sisters’ voices harmonized and diverged. On albums from the early 1970s into the 2000s, Maggie Roche’s songs chronicled a woman’s life from early stirrings of independence (“The Hammond Song”) and amorous entanglements (“The Married Men”) to thoughts on longtime connection (“Can We Go Home Now”). They often mixed heartfelt revelations and flinty punch lines.
With the Roches, and in duos with each of her sisters, she released more than a dozen albums. The Roches never had a major hit, but the group maintained a devoted following. They shrugged off disappointments in “Big Nuthin’,” a song the trio wrote together. “We’d like to make a million dollars and be set for life,” Maggie Roche told The Los Angeles Times in 1995. “We’ve been lucky, though. We have a career, and that is a gift. I guess I want things to be easy, but that’s not the way it is.”
Source: NY TImes obituary.
Unique harmonies, clear as a bell, and an infectious sometimes whimsical uplift; I never stopped listening to the Roches. Rest in peace, Maggie.