What Louis Armstrong Really Thinks

‘To the country at large, he insisted on remaining a breezy entertainer with all the gravitas of a Jimmy Durante or Dean Martin. Fortunately, that image is now being deeply reëxamined. This month, the publication of Thomas Brothers’s “Louis Armstrong: Master of Modernism” and the Off Broadway opening of Terry Teachout’s “Satchmo at the Waldorf” (which follows his 2009 biography, “Pops: A Life of Louis Armstrong,” which was reviewed in the magazine by John McWhorter) provide a rich, nuanced picture of what was behind Armstrong’s public face.’ (The New Yorker).