‘Apparently in China, bad genes are grounds for divorce — and six-figure fines. “Failed relationships can get ugly,” says Ji Lin at the Irish Examiner, but the weird, sad tale of Jian Feng and his wife “really gives meaning to the old cliché.” The story starts out conventionally enough: Feng, a resident of northern China, met and married a beautiful woman, and they had a baby girl. That’s when things reportedly got, um, ugly. Feng was “so sure of his own good looks, so crushed by the wrinkly ugly mess that was handed to him in a swaddle, that he decided to sue his wife because the awful looking baby was totally her fault,” says Madeline Holler at Babble. And then things went from ugly to crazy: He won.’ (Yahoo! News)
‘ “It started,” he says, “by accident.” As a young, idealistic psychology student, Olivera interned at El Borda in the early nineties. “I found a lot of my friends and family kept asking me what it was like in there,” he explains. “I decided to let the patients tell them.” He started a radio workshop. Not as strange as it sounds in a psychiatric hospital that offers tango workshops, circus workshops, a patient-run bakery and an artist’s cultural center where the community and university students also come to paint. I have fallen down the rabbit hole.’ (The Atlantic).
Epidemic of “…a trendy form of retribution in a country in which fidelity is a strongly appreciated value…” (Guardian).
‘We may finally have proof that there are aliens among us. Using a complicated system unknown to us humans, aliens appear to have managed to beam their image onto the spectacular Northern Lights sky.’ (Yahoo! News UK)
‘The internet is a new lifeform that shows the first signs of intelligence. So says brain scientist and serial entrepreneur Jeff Stibel.’ (BBC)
‘A South Pacific island, shown on marine charts and world maps as well as on Google Earth and Google Maps, does not exist, Australian scientists say.’
‘Look past the award-season hype and the current bounty of decent, good, great movies, and one thing becomes clear: We live in interesting narrative times, cinematically. In “Cloud Atlas” characters jump across centuries, space and six separate stories into a larger tale about human interconnectedness. In “Anna Karenina” Tolstoy’s doomed heroine suffers against visibly artificial sets, a doll within an elaborate dollhouse, while in “Life of Pi” a boy and a tiger share a small boat in a very big sea amid long silences, hallucinatory visuals and no obvious story arc. In movies like these, as well as in “The Master” and “Holy Motors,” filmmakers are pushing hard against, and sometimes dispensing with, storytelling conventions, and audiences seem willing to follow them. The chief film critics of The New York Times, Manohla Dargis and A. O. Scott, consider this experimental turn.’ (NYTimes)