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…(I)n the world of performance art, where transience was an integral part of some of the best-known work from the 1960’s and 70’s, “the idea of replaying pieces as if from an orchestral score has usually been seen, if at all, as heresy.” (New York Times )

Although this turns out to be about something more proasic, upon seeing the title I thought the Times Magazine was proclaiming the overthrow of the theory that literary works are ‘intelligently designed.’ But, oh, postmodernism has already dismantled that notion, I guess.

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…(I)n the world of performance art, where transience was an integral part of some of the best-known work from the 1960’s and 70’s, “the idea of replaying pieces as if from an orchestral score has usually been seen, if at all, as heresy.” (New York Times )