“…[T]he invention of the 12-tone system was arguably the most audacious and influential development in 20th-century music. Its impact can be heard today in works far removed from the knotty scores of composers like Milton Babbitt, Pierre Boulez, Charles Wuorinen and its other formidable practitioners during its heyday in the third quarter of the last century. Elements of 12-tone style turn up even in Broadway shows and film scores. Yet an overwhelming majority of music lovers have no idea what the technique is, what exactly the music sounds like or what the fuss was all about.” (New York Times )