“The Final Girl theory emerged in 1985, when Carol Clover — a medievalist and feminist film critic — was dared by a friend to see The Texas Chainsaw Massacre. Back then, most feminist theorists loathed slasher films, and regarded them as classic examples of male misogyny. It wasn’t hard to figure out why: Thousands of young men were trooping into theaters to cheer wildly as masked psychos hacked apart screaming young women. That really didn’t look good.

But as Clover sat in the theaters, she noticed something curious. Sure, the young men would laugh and cheer as the villain hunted down his female prey. But eventually the movie would whittle down the victims to one last terrified woman — the Final Girl, as Clover called her. Suddenly, the young men in the audience would switch their allegiance — and begin cheering just as madly for the Final Girl as she attacked and killed the psycho.

This, Clover argued, was not mere garden-variety sexism. On the contrary, it was a generation of young guys who apparently identified strongly with the situation of a woman who faced agonizing peril yet came out victorious. The slasher dynamic was unprecedented in film history: ‘The idea of a female who outsmarts, much less outfights — or outgazes — her assailant (was) unthinkable,’ Clover wrote. With this new crop of slasher movies, the young men in the audience essentially became the Final Girl: exhausted, freaked out and ultimately triumphant. They weren’t just ogling the sexual violence. They were submitting to it.

The sexuality of young men, Clover concluded, is profoundly weirder than you’d imagine.

I think she’s right, and what’s more, I think her idea maps perfectly onto the success of Tomb Raider. ” (Wired via walker)