“Legend has it that mid-19th century French artists discovered the wonders of the Japanese woodcut when they examined papers used to wrap imported Japanese ceramics. Today, looking at the prints of Utagawa Hiroshige and Katsushika Hokusai, the greatest of Japanese woodcut printmakers, it is hard to fathom that their works could have been viewed as the equivalents of our funny pages.

And it is easy to see how Modernists from Manet to Bonnard could find in the lucidity and technical and formal economy of those Japanese artists inspirational guides for escaping the suffocating conventions of Beaux Arts and Victorian painting.” (New York Times )