“The new director’s cut of ‘Alien’ reminds us the film is a powerful purveyor of existential dread, not just haunted-house thrills.

Unlike its increasingly baroque series of sequels, Ridley Scott’s original 1979 Alien is a film about human loneliness amid the emptiness and amorality of creation. It’s a cynical ’70s-leftist vision of the future in which none of the problems plaguing 20th century Earth — class divisions, capitalist exploitation, the subjugation of humanity to technology — have been improved in the slightest by mankind’s forays into outer space. Although it has often been described as being a haunted-house movie set in space, Alien also has a profoundly existentialist undertow that makes it feel like a film noir — the other genre to feature a slithery, sexualized monster as its classic villain.” — Andrew O’Hehir, Salon