![Saragossa Ms. [Saragossa Ms.]](https://i0.wp.com/www.polfilmfestival.com/imgsCommon/Saragossa.gif)
‘“Manuscript Found in Zaragoza,” based on a 200-year-old novel by a Polish count, tells the tragicomic tale of the seduction of an 18th-century Spanish-German soldier by a pair of Muslim princesses. Like so many Romantic adventurers and Western fictional heroes, from Lord Byron to Kit in Paul Bowles’s novel The Sheltering Sky, the protagonist is drawn into a sensuous and illusory dreamscape that ultimately leads to his destruction. Directed by one of Spain’s most renowned playwrights, Francisco Nieva, the play has been adapted by him from a book of the same name written by Jan Potocki, a Polish ethnographer and historian, between 1797 and 1815.’ NY Times Arts & Leisure [via Abby]
I saw the labyrinthine, phantasmagorical The Saragossa Manuscript
, a 1965 Polish film from the same source (of which this article makes no mention) directed by Wojciech Has (1925-2000), in the ’70’s when I was in college. Although abit rococo, its complex structure of dreams inside stories inside reveries inside fables, which left the audience reeling and laughing in confusion, haunted me for several decades during which I had lost track of its title and could find no further information about it. Even posting queries on the internet when it became viable a decade later was without results, until I happened to read in the mid-’90’s
that it was reputed to be Jerry Garcia’s favorite film
and that, along with Coppola and Scorsese, he was funding its restoration to its original 175-min. length — in the process learning its name again. The restored version premiered at the New York Film Festival in the fall of 1997, with a posthumous dedication to Garcia. I finally obtained a video copy around two years ago. Potocki’s book has recently reappeared in print, prompted by the revival of the film.
Probably because both films were most suitable for midnight viewing and, if you weren’t in an altered state of mind going into them you would be upon emerging, I often think of Alexandro Jodorowsky’s 1970 El Topo
(“What it all means isn’t exactly clear, but you won’t forget it. “) — anyone else remember this? — in the same vein. Funny, this Bright Lights Film Journal piece on The Saragossa Manuscript leads off with a reference to the latter. ![El Topo [El Topo]](https://i0.wp.com/www.blarg.net/~dr_z/Movie/Posters/Reproductions/El_Topo_Rep.jpg)
There are rumors, by the way, that
Jodorowsky is working on a sequel to El Topo
with Johnny Depp annd Marilyn Manson in the cast. Here’s a pre-release flyer. Other Jodorowsky ( “I ask of film what most North Americans ask of psychedelic drugs”) trivia:
- he studied mime with Marcel Marceau
- he ‘signed on to direct a French-American production of Dune, which was to star his son Brontis, Orson Welles, Salvador Dalí and Gloria Swanson. The screenplay he wrote, by some accounts, could have been made into a 12- to 16-hour film. The financial backers pulled out in 1976.’ Dune was of course, disappointingly, made by David Lynch in 1984…
- he ‘was also reported to have scouted locations in Tangier in the mid-80’s with William S. Burroughs for a film of Naked Lunch that was never made’
