Book shops are no
longer sweet, sedate, cerebral places in the calm, measured
business of selling knowledge. They’re battlegrounds for
publishers, piled high, battalions of their products coming after
you. Their weapon is the book cover.Publishers think we’re all mugs and, by and large, that’s exactly
what we are. We judge books by their covers. We know what to
expect. The bookshop is almost colour-coded to make selection
easier. Bubblegum cartoon covers for girly relationship novels.
Cold-war thrillers, horror, sci-fi, all dressed in gothic black with
melodramatic gold lettering. It’s design shorthand. Publishers
have just a few seconds to catch your eye, as you
promiscuously scan the shop floor. Let your eye rest for a
second, and they’ve almost got you. Make contact, read the
blurb on the back and, most important today, clock the face of
the author. Raffishly lived-in like Paul Auster, or boho glam like
Zadie Smith: either way, you’re sold. It’s not enough any more
for wannabe bestselling authors to send in a mere manuscript. A
photo, professionally styled, is mandatory. The Guardian UK
