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28 Days Later

The new cultural prestige of disaster: A visit to a bookstore or multiplex confirms the new strain of morbidity in the air. Every other month seems to bring the publication of at least one new so-called literary novel on dystopian or apocalyptic themes and the release of at least one similarly themed movie displaying some artistic trappings. (Artsy, but not quite aspiring to be art, films like 28 Days Later and Children of Men might be called, without scorn, “B+ movies,” to distinguish them from ordinary apocalyptic crowd-pleasers.) What is striking is not so much the proliferation of these futuristic works—something that has been going on for generations—but the wholesale rehabilitation of such “genre” material for serious or serious-seeming novels and movies. If ordinary citizens are taking their direst imaginings more to heart than before, so, it would appear, are novelists and filmmakers.”

via Dissent Magazine.